NohBo RecordsThe Bewitched (NL,2007)***°

The Bewitched is an off-shoot of the Forgotten Memory Fish Orchestra, consisting of two members from the 8-piece orchestra, Astral Gonad on singing saw, mandolin, quanun, harmonica, accordion, harmonium, banjo, zither, keyboards and Makmed the Miller on cello, theremin, bowed saz, pipa, Japanese harp, music box and samples. This is much more an ambient/DJ-tronica, half-acoustic half electronic/loop/mixed World-folktronica/listening techno project.

The liner notes assume there is a little obsession with Japan(ese music) “Even in Kyoto, when I hear the cuckoos call, I long for Kyoto”, while the music with the same interest uses more Arabic/Middle Eastern inspired instrumentals, mixed with subtle electronic or folktronica rhythms or relaxed remix sounds. The first track, “Old Shangai” is like an ‘airport music’ Remix of something based upon Japanese traditional music, brought into a completely modern world context. Subtle modern rhythms and mixed effects intertwine with theremin, and acoustic instruments like saz and flutes on the next track. Eastern tunes appear more than once, on "Yoshitoshi" slightly alienated to electronic music with reverbs and subtle organic electronica. “Habibi is founded with an Arab orchestra recording, with modern rhythms. Last track, “Bokhora Steel City” is based upon santur with clarinet, mixed with a train-like sound loop. A track which reveals another source of inspiration and example is "Kuniyoshi" which sounds like an ethno-ambient flavoured version of a track from Daniel Lanois with Brian  Eno's Apollo's soundtrack. This is a very moody dream-away album with a flavour of the east mostly, and with a few more up tempo rhythms with more focused ethno-soft-tronica chamber flavours.

Homepage : http://www.whatwitch.com/
Review of a Forgotten Fish Memory Orchestra on next page->
EASTERN FUSION ARTISTS :
private  Gongchime (KO,2006)***'

Las Vegas born Greg Turner was a soloist for the Nevada Classical Guitar Society, and majored in music at Northern Arizona University where he studied composition. Later he directed NAU school jazz combos where he played bass. He also participated with the NAU steel drum ensemble. Further curiosity led him to experience the Miami Cuban sound, the New Orleans blues, the Mexican Mariachi music, Korean traditional music and Piphat Mon in Thailan. In the meanwhile he studied aesthetics, music composition, ethnomusicology with especially gamelan transcriptions and East Indian musical practices. He jammed with Korean jazz marimba player and music professor Baek Jin Woo and blues artist Son Yong Woo (Shicheon Blues) in South-Korea where he lives now.

Instruments he plays are sitar, Korean Kayageum (koto), guengari (small gong), jing (medium gong), chango (double headed drum played with stick and a hard ball mallet), Chapman stick, steel drums, didgeridoo, and a gamelan orchestra set. He has built himself xylophones, thumb pianos, stamping tubes, berimbau, Spike fiddles, hammered dulcimers from Arabia, China, South Easth Asia, metal bells and flutes.

His music combines melodic motives from jazz, rhythmic motives from the Middle East, India, Africa, Thailand, Malaysia, Indonesia, Bali, Cuba and the Caribbean. He also uses drones, modal chord progressions and instruments from around the world such as Koto, Gongs and Gamelan. Also, he sometimes utilizes interlocking patterns in the vein of gamelan and African Amadinda. As Greg Turner says “My music could be described as Bankok Blue meets Deep Forest. I'll be marketing my Resplendent Garden of Contemplation/Gongchime Rainforest project to the Cultural Creative market as well as to T.V. and film through sound libraries.

The music is a combination of gamelan with varied percussion and what seems like close multicoloured acoustic arrangements which almost seem designed with one synthesizer or computer, because it’s all played very strict and restricted, in a positive sense. The feeling completely takes all elements from the east, which makes an unusual vision. A very enjoyable fresh approach with 10 tracks which are over too quickly.

Info with audio : http://myspace.com/gongchime
US/KO : Gongchime, The Bewitched
See also : Post-Asiatic inspirations (in the acid folk section)

There are more Fusion Webpages :
Fusions with gamelan
Acoustic Fusions, Electric Fusions
Sitar Fusions (big entry), Middle Eastern Fusions, Persian Fusions,
Balkan Fusions, Tibetan Fusions, All World Fusions, "Black Spirit"
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